![]() This form of Artistic License can happen in a number of ways. There is no part of our ways of knowing, living, and being that are not tied directly to the land, it is the very fabric of my being.- The Nostalgia Chick on the towering cliffs of coastal Virginia in Pocahontas.Ī writer may want to set a story in a location, but that doesn't mean they want or need to be accurate. Most places I go, see, experience, and photograph have been used for thousands of years, in the same way I use them today. It contains the living memories of my elders, grandparents, family, and ancestors. I have such a profound love for it because it’s where all my best memories lie. SH: I live a great deal of my life in connection and in relation to the land. I often make images of things I care about, or a feeling I have while observing a lived experience, these experiences are most often on the land. When I’ve done a good job, the viewer should be able to feel emotion and move through it as if that moment in time were in the realm of their own current physical existence. Photography, in its naked existence, operates on a two dimensional plane. I do my best to create a visual experience that is both emotional and liveable for a short while. I think of it as stopping time, a peculiar thing because no moment can ever be the same twice. SH: I arrange time and space primarily with natural light. Hunt continues to give back by volunteering for seasonal programming, for kids of the Flathead Indian Reservation. ![]() As the first elected board chairman of Snqʷeyɫmistn, Hunt was instrumental in moving the organization forward by designing the logo, writing the vision and mission statements, helping secure the organization’s first significant funding through a phase plan, and writing for the Snqʷeyɫmistn website. This dream is now a work in progress with the co-founding of Snqʷeyɫmistn (The place where you do your best). The ranch would be traditionally based, fully sustainable, and would build a foundation for Indigenous youth to be successful in any world. Prior to completing his Bachelor of Social Work at Salish Kootenai College, Stephen had long dreamed of creating a permanent home and working ranch for First People’s Children in the foster care system. Hunt can also be seen on the powwow circuit singing with Black Otter, an original, Blackfoot-style and champion drum group. He regularly gives back to his community by volunteering, co-organizing, working with youth at cultural camps, and mentoring Indigenous youth in his community. He seeks to instill in his children the importance of land and culture. However, he places his greatest efforts on his daughters. In 2020, Stephen was selected and awarded the inaugural NDN Changemaker fellowship. He is also a photographer whose first solo exhibition was at the Missoula Art Museum, in 2018. ![]() In addition, he has helped with branding, marketing, websites, and SEO for other local companies. ![]() where he rejuvenated a dwindling customer base. Previously, Hunt had worked for his family’s third generation business, Hunts Timbers Inc. ![]() Hunt currently works for the Tribal Defenders Office of the Confederated Salish and Kootenai Tribes as a Coordinator for Morning Star: a Permanent Supportive Housing project. Stephen Hunt is Blackfeet (Amskapii Pikaanii), Nez Perce (Nimipuu), Sioux (Sisseton), Pend d’Oreille (Ql’ispé), Chippewa Cree (Ne Hiyawak), and was raised on the Flathead Indian Reservation. ![]()
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